Music by Uzbek Mumtaz Shashmaqom

Rasulov  Marufjon; S. M.  Begmatov

doi:10.17605/OSF.IO/G3W82

Rasulov Marufjon A Teacher of Andijan State University, Faculty of Arts, Department of Music Education, Independent student of the 2nd stage (PhD doctoral course) of the Uzbek National Music Art Institute
S. M. Begmatov Professor, Scientific adviser

DOI: https://doi.org/10.17605/OSF.IO/G3W82

Keywords: Mug’oncha, mug’cha, Etimologiya, Uzzol, Savt, Nasr, Saraxbor, Talqincha

Abstract

Uzbek and Tajik peoples, which made up a significant part of the heritage of professional music in the oral style, serve as an endless source of creativity for musicians, keeping their full value even today. Therefore, a comprehensive study of the statuses that occupy an important place in our cultural life is the demand of today. It is pleasant to note that as a result of the research of experts in this regard, the laws of status classification, internal development characteristics, historical, executive and a number of other aspects are highlighted. At the same time, there are a number of controversial topics that have not yet been resolved in the study of status.

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