Samarkand Embroideries of the Xx Century: Styles, Styles, Ornament Repertory

Makhkamova Gulnora  Abilkasimovna

doi:10.17605/OSF.IO/SX48Z

Makhkamova Gulnora Abilkasimovna Independent researcher of MRDI, teacher of the Department of Fine Arts and Engineering Graphics of Oz-FiPeI

DOI: https://doi.org/10.17605/OSF.IO/SX48Z

Keywords: bosma, yorma, sozana, bolinposh, kandahayol, iraqi, duroya, window bag, tea bag, abri bahar, cordi osh, charchiroq

Abstract

This article provides information about the art of embroidery and its emergence. Samarkand embroidery was developed in the 20th century. Scientific literature and dissertations, scientific articles are presented in the literature analysis. Information about stylistic changes, patterns, types of items and their symbolic meanings of Samarkand embroidery is provided. The meaning of patterns such as lamp, pepper, teapot or cup, almonds, scissors are mentioned. Pattern names and stitch types are provided in part as examples. It has been emphasized that embroidery is related to traditions. There is also information about thematic compositions. Samples sewn by the potpour method of machine embroidery were analyzed. An analysis of the embroideries kept in the Samarkand Museum today is included. Recommendations and suggestions are developed in the final conclusion.

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